Petra Lounge Chair VB3 & Pouf ATD1

$10,080

Based on an original design by Danish designer Viggo Boesen in 1938, Petra is a lounge chair with a high-set, winged-backrest and unparalleled comfort. The Petra lounge chair follows the great success of Little Petra, named after Boesen’s mother-in-law, Petra – said to be a small woman with a big personality, her presence is felt in the embracing body of the armchair’s design. Petra now carries the same bold character and aesthetic but in a larger form.

Dimensions: Lounge Chair: 80cm W x 91cm D x 99cm H | 40cm SH
Pouf: 53cm W x 53cm D x 37cm H

Materials: Wood, HR foam, polyester wadding, fabric upholstery
Leg Options: Oiled Oak, Oiled Walnut
Upholstery Options: Available in a range of approved fabrics by &Tradition.
Click here for more information about upholstery options

Downloads: Product Fact Sheet

This is a custom or made to order item, get in touch with our team to purchase and confirm current lead times.

Additional fees may apply for deliveries outside the metropolitan areas of Melbourne, Sydney, and Canberra.

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About the Brand: &Tradition

Founded in 2010 in Copenhagen, &Tradition is an international brand built on a Danish legacy of craftsmanship and design. They tell stories with originality. Whether the starting point is new or re-issued, and are passionate about designing the classics of tomorrow.

While our online store features a curated selection of our top picks, we are pleased to offer access to the entire &Tradition collection. If you're looking for a specific product not listed online, please get in touch—our team can assist with all orders and enquiries.

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About the Designer: Viggo Boesen

A pioneer of his time, Viggo Boesen (1907 – 1985) made grand gestures in the world of Danish design and architecture, bringing a new perspective to the forefront of the collective imagination throughout the 1930s. His work reflected a new Scandinavian ‘Funkis’ style, a Nordic take on Art Deco, which was popular during the time and brought with it an array of surprising forms and silhouettes.

In contrast to mass-produced materials and the less-is-more approach derived from the Bauhaus school of thought, Boesen brought a soft, warm and profoundly intuitive attitude to design. Only a few of his designs were produced, yet Boesen’s original ideas, organic shapes and expressive design rhetoric were precursors to Denmark’s subsequent stance on modernism in the decades that followed.

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