Lampe Gras N°411 Floor Lamp

Lampe Gras N°411 Floor Lamp

$1,265
$1,265

The Lampe Gras N°411 is an articulated steel reading floor lamp. Bernard-Albin Gras designed the Lampe Gras in 1921 for industry and design offices. Built without screws or welded joints, it is remarkable for its ergonomics and robust mechanics, and was admired by architects including Le Corbusier.

Double elbow joints and a swinging, height-adjustable bracket let the light reach anywhere within an 80cm radius of the base. Generous in proportion and the right height for the end of a sofa. Produced in France by DCW éditions, with a choice of round or conic shade in a range of colours and finishes.

Designed by Bernard-Albin Gras | Manufactured by DCW éditions, France.

Dimensions: 58cm W x 34cm D x 141cm H | arm reach 36cm to 72cm | 210cm cord length

Materials: Steel. Base available in Black
Round shade available in Black, Red, Yellow, Blue, White, Chrome, Brass, Copper, Raw Copper, White/Copper, Black/Copper, Gold, Frosted Glass and Polycarbonate.
Conic shade available upon special request.

Downloads: Product Fact Sheet
Assembly Instructions

Please be aware of the additional lead-time below when pre-ordering.

Estimated lead time: approximately 14-16 weeks
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DCW éditions is a french company, founded in 2008 by Philippe Cazer and Frédéric Winkler. They first produced the Lampe Gras, created in 1921 by the inventor Bernard-Albon Gras, first articulated lamp of the history, much lauded at the time by Le Corbusier.
 
2013 saw them bring out the Mantis lamps of British designer Bernard Schottlander. The Mantis were created in 1951 as an homage to Alexander Calder. DCW Éditions then released the singular Here Comes the Sun, designed by Bertrand Balas in 1970.
 
As the past is nothing without the future, DCW innovated by editing for instance In the Tube, specially designed by world renowned architect Dominique Perrault and his partner Gaëlle Lauriot-Prévost.
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Bernard-Albin Gras was one of the most innovative designer of the 20th century. The functional aesthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. 

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