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Journal
A warm congratulations on being among the first designers accredited under the Design Institute of Australia's relaunched Accredited Designer program. What does a recognition like that mean to you at this point in your practice, and what feels different about the industry now compared to the one you began in?
"Achieving accreditation with the DIA is an important milestone for our industry and a meaningful step towards greater recognition of interior design by government bodies, particularly in New South Wales, but across Australia more broadly. It’s an important part of establishing the value of our profession and advocating for the recognition it deserves. The industry now is just so full of talent, which makes this such an exciting time to be part of Australian design. I feel incredibly proud to be surrounded by so many talented creatives, both colleagues and collaborators, who continue to push the industry forward."
Art and design have been in constant conversation across your projects. How do you find the balance between the two in a room? Do you approach sourcing art differently to the way you source furniture and lighting? And for anyone hoping to start collecting, where would you tell them to begin?
"I think art is often a more emotional choice, whereas furniture and design pieces tend to have a more practical purpose. But for me, it always comes back to how everything works together, how each piece speaks to the next, and how art can bring a space to life and add a sense of joy to your home.
I believe the best interiors strike a balance between what we need and what we love. It’s those little unexpected touches, a bit of whimsy or imagination, that make a space feel truly personal and take it beyond the purely functional. And for anyone starting an art collection, my advice would be to trust your instincts. If a piece gives you that little flutter in your heart when you see it, that’s a pretty good place to start."
Could you share your connection to two of your selections?
Alima Shelving NDS4 and NDS6 by Note Design Studio for &Tradition: "As soon as I saw the Alima range in Copenhagen, I knew I had to have it in my own home. The combination of chrome and timber is just so chic, and the simplicity and proportions of the shelving are absolute perfection."
Akari 24N by Isamu Noguchi: "Akari lighting has been a favourite of mine for many, many years. There’s something so special about the beautiful glow they emit, not to mention their incredible handmade quality. The 24N, in particular, has this lovely anthropomorphic quality to it, almost like a little chubby creature. I just love that."
Is there a brief or project in the pipeline right now that you're particularly excited about? Something new you're looking forward to exploring?
"At the moment, I’m working on concepts for three very different projects, which I’m finding really exciting. One is a second home for clients in New Zealand, with lots of warmth and a subtle ski-lodge feel. Another is a quirky inner-city apartment in Melbourne, and the third is a waterfront residence right on the beach where I live. I love that each project has such a different character and sense of place; it keeps the creative process fresh and gives us the opportunity to explore something entirely different with each one."
Portrait of Sarah-Jane Pyke
Photography by Alicia Taylor